Hey Twilighters....
FearNet.com interviewed Mellisa Rosenberg about New Moon, Edward's proposal and Breaking Dawn.. Check it out.
-Liana-
There is a common link between the sparkly universe of Twilight and the sociopath exploits of Showtime’s Dexter, and her name is Melissa Rosenberg. The screenwriter and Emmy-nominated television producer has been juggling the two franchises since 2007, which is when she scripted the first Twilight film from Stephenie Meyer’s novel. Following the film’s enormous success, Rosenberg became Summit’s go-to writer for the series, and she’s since written two sequels including this month's New Moon and next summer's Eclipse.
FEARnet spoke exclusively with Rosenberg from her home in Los Angeles, where she had recently returned from a whirlwind trip to Rome to unveil new footage for Italian Twilighters. Among other topics, Rosenberg discussed her favorite new scenes and explained how that proposal scene will be split between New Moon Eclipse -- and that, if she were to write Breaking Dawn, the subject matter wouldn’t be a problem.
FEARnet: Summit seems to reward the Italian fans with juicy world-exclusive clips that the rest of us salivate over!
Melissa Rosenberg: They get a lot of clips - they saw a lot of the show! It was good; they were so receptive and wonderful.
FEARnet: Summit seems to reward the Italian fans with juicy world-exclusive clips that the rest of us salivate over!
Melissa Rosenberg: They get a lot of clips - they saw a lot of the show! It was good; they were so receptive and wonderful.
Have you seen the final cut of New Moon yet?
I saw an early cut of it, yeah. Some of the special effects weren’t there, stuff like that. But I have to tell you, it’s funny because for writers, and for me – I often will dread a director’s cut. As a writer, you have already seen the movie in your head. And the movie in your head costs a gazillion dollars; you can’t actually make the movie in your head, but you’ve seen it. And so, a director’s cut is almost always a disappointment because it’s not what you’ve seen in your head. It can be a major adjustment, it’s not what's in my head but this one’s different, but as good.
I saw an early cut of it, yeah. Some of the special effects weren’t there, stuff like that. But I have to tell you, it’s funny because for writers, and for me – I often will dread a director’s cut. As a writer, you have already seen the movie in your head. And the movie in your head costs a gazillion dollars; you can’t actually make the movie in your head, but you’ve seen it. And so, a director’s cut is almost always a disappointment because it’s not what you’ve seen in your head. It can be a major adjustment, it’s not what's in my head but this one’s different, but as good.
When I saw Chris’s cut, about ten minutes into the movie I started smiling. I thought to myself, I get to put my name on this. It was just so thrilling. It’s really good. I have to tell you, in all sincerity, it’s really good.
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