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Monday, April 4, 2011

Collider: Robert Pattinson Interview for WFE!

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Hey Everyone,
Another interview this one is from Collider and Christina Radish!
Thanks to our Elite Affie Robert Pattinson Australia For The Tip! Enjoy! 


Via @RPAustralia From @Collider

Interview by Christina Radish
The drama Water for Elephants, based on the acclaimed best-selling novel of the same name and opening in theaters on April 22nd, tells the story of a veterinary student, named Jacob Jankowski (Robert Pattinson), whose entire life changes when his parents die in an accident and he ends up jumping a random train that happens to belong to the Benzini Brothers Most Spectacular Show on Earth. Once he is discovered, he is put to work with the animals, where he meets the circus’ shining star, Marlena (Reese Witherspoon), and her charismatic husband August (Christoph Waltz), the often violent and abusive owner. This magical world serves as the backdrop for an epic tale of forbidden love, between two individuals hoping for a second chance at happiness.
At the film’s press day, actor Robert Pattinson talked about the impression the novel made on him, his affinity for the time period of the 1930s, working alongside an elephant as a co-star, and how he personally identified with his character’s journey. Check out what he had to say after the jump: 
Question: What was the impression you got from reading the book that made you want to do a film adaptation? 
ROBERT PATTINSON: I think I’ve just always had a bit of an affinity for that era. I always wanted to do a movie around that time. And, I think it was just very solid, how she (author Sara Gruen) created the world there. I just wanted to be a part of it. 
How did you approach becoming a person from another time?
PATTINSON: There was a comprehensive creation of the world. I’ve never worked on anything so detailed. There was an embankment with a train track on the top. All the trailers were on one side, and then the circus world was on the other. Once you walked over the tracks, there would be a camera, but that was the only thing from the 21st Century. You could stand on the tracks and look over at everything, and you were in the ‘30s. We were out in the middle of the desert in Fillmore, and there was nothing else around. There was an orchard. We were in the ‘30s. Jack Fisk, the production designer, used authentic pegs and the ropes. Every single thing which built the world was all totally real. And, authentic period underpants do actually help, as well. I actually wore them every single day. Jacqueline West, the costume designer, was unbelievable. Almost everything was real. Every pair of jeans were all from the ‘20s and ‘30s. It was crazy.

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